Sophie O'Donnell

Organ Grinder is an art deco typeface published by SoftMaker.

Vallely is a classic art-deco-ish serif that are inspired by the old typography/letterings used in packaging labels and advertisements. This font is loaded with 350+ glyphs, packed with lots of alternate characters, gives you various letter combinations to play with. If you're a fan of classic and art-decoish typography, make sure you add this font to your design toolbox.

Messing is a typeface published by SoftMaker.

Greyhound is a decorative typeface published by SoftMaker.

Entebbe is a typeface published by SoftMaker.

PF Mellon is a modernist variable grotesque with mixed roots.

Its unconventional aesthetic is the product of an exploration into the art of emphasizing titles, headlines and text in captivating and unpredictable ways. Contrary to conventional practices of highlighting text with heavier weights, PF Mellon proposes an intriguing new scheme based on striking and attention-grabbing compositions of narrow and extended letterforms- even when set in lowercase. Part geometric and part grotesque, PF Mellon’s expressionist alphabet and extravagant style challenge conventions of visual culture in an Art Deco-like manner.

PF Mellon’s rebellious idiosyncrasy takes its cues from the eccentric personality of our popular PF Venue, an earlier geometric sans serif characterized by its daring combinations of non-uniform structures. PF Mellon’s basic design skeleton was influenced by nineteenth and early twentieth century condensed sans serif typefaces such as Stephenson Blake’s Grotesque No.77 and ATF’s Alternate Gothic, adding an extra contrast to the thickness of strokes.

PF Mellon is also available as a variable font format which you may request it free of charge from Parachute® once you purchase the whole type family.

Bricbrac is a layered family that allows different combinations. The typeface is full-cap, with a squared style, the font doesn’t contains any curve. The different styles gives 3D effect to the letters and the typeface user can play with the Lines and Pattern effect.

Bricabrac consists in a 9 styles family. This is a monoline typeface and the variety of combinations and style make it perfect for magazine and poster design.

The fonts have an extended characters set to support Central, Eastern and Western European languages.

Notice: The spacing is optimized for the version with volume, therefore the fonts should always be used with the 3d volume effect.

Hans Bohn’s Orplid, a shadowed sans serif font strongly influenced by the then prevailing Bauhaus style, and released by Klingspor in 1929, was revived and vastly extended for multilingual use. In addition, a filling style was made to easily accomplish colorful headlines, ads and posters.
Both styles come with alternatives for A, M, N and W.

Back to the movement in the decorative arts and architecture that originated in the 1920s and developed into a major style in western Europe and the united states during the 1930s.

Wt Bellochero is a single OpenType font that consists of 340+ glyphs including capital set, numeral & punctuation, stylistic set, unique ligatures, and catchwords. Included both individually crafted luxury font and produced carefully, the intention was to create a sleek and semi-modern elegance that symbolized vintage glory and sophistication. It combined modernist styles with fine craftsmanship.

The distinguishing features of the style are simple, clean shapes, often with a “streamlined” look; ornament that is geometric or stylized from representational forms.

Wt Bellochero is created for today creatives and it’s perfectly used for displays, signs, label designs, badges, logo, prints, apparels, editorial and much more. Great for constructing provocative headlines and titles.

Carefully crafted by hands, manually and digital.

Broadway No2 is a decorative 1920s font published by SoftMaker.

Beale Charming is an Art Deco font published by SoftMaker.

VLNL Berlagebrug
Designer Donald DBXL Beekman daily crosses the Berlage bridge spanning the Amstel river in Amsterdam. The Berlagebrug was built as part of the city planning project ‘Plan Zuid’ by H.P.Berlage and opened in May 1932. Its name, carved out of two granite headstones, sparked the design of this font family. The original lettering is attributed to Anton Kurvers in the early 19th century, and can be seen on many Amsterdam buildings and bridges. It’s typical lettering of the Amsterdamse School, the Dutch equivalent of the expressionist art deco architectural style, and mostly known for its extravagant brick work.
VLNL Berlagebrug is a rounded display font that comes in three outline styles matching the building materials used in the bridge. Gietijzer (cast iron) is smooth, Zandsteen (sandstone) has a softly distressed outline, and Graniet (granite) is outspoken rough and crumbled. The capital letters in VLNL Berlagebrug are in the Amsterdamse school style, the lowercases are more straight alternate capitals, giving you more design options.