Sophie O'Donnell

Bewilderment is a hand lettered sans-serif font. The perfectly simple font could be used for a variety of projects, such as a design on a t-shirt, car decal, or tumbler!

- Contains over 200 accented characters for language support. Some of the languages supported are: English, Spanish, Portuguese, German, Italian, French, Polish, Catalan, Irish, Norwegian, Croatian, Gaelic, and more! If you would like to know if a certain language is supported, please contact me with the language and/or any special characters you wanted to know about.

Tropical Trouble is a hand lettered sans-serif font. The super tall and super skinny font could be used for a variety of projects, such as labels for a jar or a name on a tumbler!

Contains over 200 accented characters for language support. Some of the languages supported are: English, Spanish, Portuguese, German, Italian, French, Polish, Catalan, Irish, Norwegian, Croatian, Gaelic, and more! If you would like to know if a certain language is supported, please contact me with the language and/or any special characters you want to know about.

Matrice is a sans serif (Semi Extended) display font family in 8 weights plus matching natural italics. support 75+ Languanges (Latin Based) influenced by the grotesk typefaces developed in the early 20th century, perfect for branding (Identity), logotype, headline text, and caption.

Estelle is a typeface published by SoftMaker.

Multi is an extensive sans serif typeface family that consists of two subfamilies: Multi Text that comprises three weights (roman & italic) and Multi Display (seven weights, roman & italic).
Vitality bursts forth from Multi. It has a distinctive ‘phrasing’ (in the musical sense), neither humanist nor glyphic, somewhere in between, exploring uncharted territory. Its design is pragmatic, yet not rigid, slightly tinged with tiny incised touches. This is clearly noticeable in Multi Display: the roman lowercase’s asymmetric stems are very softly tapered, with bevelled, sharp upstrokes. Furthermore, all weights consistently share these idiosyncrasies from Thin to Poster. With its lower contrast, wider proportions, shorter ascenders and descenders, Multi Text was purposely adjusted to meet all the requirements of a legible typeface for newspapers in paper and screen, as they were manually hinted. It also has a few new features, such as the outstrokes of the roman ‘l’ and the italic ‘a’, which bring a subtle calligraphic feel to the text flow.

Chaos is a caps only modern sans serif with a geometric and futuristic style touch.
This typeface have been designed to get a modern and futuristic visual language.
As Chaos font, this typeface was inspired by the futuristic user interface design.

Indikator is a family of humanist-style sans serif fonts. There are five weights in the Indicator family; these range from Light through Bold. Each weight has both an upright as well as an italic font on offer. The italic fonts contain slanted, or oblique-style letters. The letters in each of Indikator’s weights appear virtually monolinear, in terms of stoke contrast. Strokes end in either horizontal or vertical cuts, rather than in diagonals. The fonts have a large x-height, and the lowercase letters’ ascenders are taller than the heights of the capital letters. Indikator’s numerals are tabular lining figures; these are just as tall as the fonts’ uppercase. The fonts’ OpenType features include alternate forms for the ‘I’, ‘J’, ‘4’, ‘i’, and ‘l’ – as well as a more Scandinavian version of the ‘Å’. There is also an alternate version of the zero, with a slash running through its counter. Indikator had a lot of character and verve than many other humanist sans serif families. It feels a little ‘old-timey,’ like it is channeling design ideas from the first half of the twentieth century, rather today’s Silicon-Valley-style designs. Indikator is an excellent selection for use in corporate communication or editorial design work. It will surely also come to good use in publications about contemporary culture and lifestyle issues. Indikator is the work of Frode Helland, a type designer from Norway.

Venn has been designed to respond to the typographic needs of the most demanding brands and users, with 25 styles from Light Condensed to ExtraBold Extended. This range allows designers to choose the right style in print, web, or app.

Hand crafted in Spain amongst the orange trees, Pulp Display represents the best of modern circular aesthetic with an air of friendliness. Wholesome, full and juicy, it’s everything you want out of a display font. It looks amazing at large sizes and, also, small sizes.

Pulp has 36 punctuation marks, 57 uppercase letters, 60 lowercase letters, 17 symbols and a full number set. It supports 17 languages; Basque, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Frisian, Galician, German, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish.

The difference between each weight is intentionally more subtle, for maximum impact at larger sizes. Pulp is best displayed with large text and is suitable for branding, magazines, products and anything else you can imagine. Pulp weights are sold separately and together.

Epura is a geometric sans typeface named after Épura the base structure for descriptive geometry. Architecture and pure lines have inspired the design of Epura. The alternative shapes for a and g give it an informal look changing the texture of the font. Epura has clean geometric shapes but still infused with identity.

Incompleeta is a modern sans serif, display font. Removing structural elements from some of the characters results in some really interesting word forms. Incompleeta is a graphic designer’s best friend. It’s great for branding, headlines, and signage.

Introducing our foundry with the new Sans Serif typeface, Kommon™Grotesk, a super family with 96 styles. Different width from Extended to Compressed, variety of weights from Thin to Super, made Kommon™Grotesk suitable for multiple usage. The typeface was crafted till clean and simple. It has high ligibility with modern and clear look to be use as text or display font. Kommon™Grotesk is effective displaying on many medias, both print and on screen.

Originally commissioned by magazine publisher IPC, Rogue has proved to be one of the most popular Device releases.

Now extended and updated as Rogue Nova, it sports additional weights, East European language support and reengineered spacing and kerning. It is now a versatile 30-weight family over five weights, three widths and italics.

Powerful and authoritative, sharp-edged and contemporary.

HS Gold is based on some modern lines of Naskh calligraphy which supports Arabic, Persian with a Sans Serif with subtle round on stems and corners.
The typeface has been optimized for corporate identity work, editorial design and modern projects when a contemporary and simple look with a similarity between Arabic and Latin is requested.
It features swash, ligatures and swash ligatures. Its proportions allow high impact on the tightly set lines of big and small text alike. This font consists of two weights (regular and bold) which can constitute a striking addition to the library of Arabic and Latin contemporary fonts models that meet the purposes of various designs for all tastes.