Sophie O'Donnell

Object is a geometric sans serif especially designed for contemporary typography and comes with 8 weights from ultralight to black plus handslanted obliques.
A large x-height not only creates space for smaller sizes, but also lends Object an open and generous character for print and screen. Many OpenType features including 642 ligatures, contextuel alternates, inits and stylistic set built into all cuts.
The font contains 1.118 glyphs with a wide range of flexibility for Latin language support for every typographical needs. Object is a contemporary geometric typeface, special for logotypes, brands, magazines and corporate design.

Hans Bohn’s Orplid, a shadowed sans serif font strongly influenced by the then prevailing Bauhaus style, and released by Klingspor in 1929, was revived and vastly extended for multilingual use. In addition, a filling style was made to easily accomplish colorful headlines, ads and posters.
Both styles come with alternatives for A, M, N and W.

Cold Cuts is an assorted spread of delicious fonts pre cooked to perfection. This 10 weight font family is $30 for a limited time it is the perfect way to stock your font fridge. Cold Cuts a lean upright font family with a lowercase caps option to give you bonus typesetting choices. A sleek modern vintage style which has a wide variety of display uses. Bon Appétit!

Loew Next is the modern, honest and straightforward go-to sans serif type family aimed at a global user. Painstakingly reworked from the original design (Loew) to further enhance the consistency of detail between individual weights and improve its compatibility to support non-latin script languages. Details include over 800 characters with italics, alternative lowercase a, e, g and l. Seven variations of numerals, small caps with accents, Opentype features inferiors, superiors, fractions and language support covering Cyrillic, Greek, Western, South and Central Europe.

Graphit is a typeface designed by Lit Design Studio & curated by HvD Fonts. It combines clear, geometric shapes with edgy yet finely-crafted details. Graphit features uncompromising characters such as G, Q, f, k and 1. It works well both for impactful headlines and for reading sizes. The type family consists of six weights plus matching italics.

In early 2018, Livius Dietzel & Tom Hoßfeld started developing the typeface’s essential character and released a free font named after the studio, Lit. Just a few months later, Hannes von Döhren had a look at the typeface and suggested expanding it into a family – then publishing it with HvD Fonts. They drew every single letter from scratch, and also decided to give the font a new name — Graphit.

The family features six low-contrast weights, ranging from Black to Thin. Every character has been crafted to give it a distinctive and individual feel. Medium, Regular and Light are optimized for usage in copy text. For smaller font sizes & longer body copy, the alternate character set features a double-story a and a simplified Q, f, r and t for improved legibility. All fonts are manually hinted for optimal performance on digital devices.

STROM is а modern sans serif font with minimalistic and geometric characters. The rounded corners give the typeface a friendly look, yet it retains a professional quality.
The attention to detail paid during its development means that this typeface offers a vast range of design possibilities – and helps users create eye-catching designs. The different font styles are built on the same foundation, so they can be mixed and matched while maintaining a harmonious look.

The simple, clean lines make it noticeable and ideally suited in display settings, advertising, packaging, logo, branding, poster, billboards, film, television, web, screen and print design.

Sonny Gothic Vol 2 is an extension of our popular font Sonny Gothic. All corners have been softened to get a friendlier and fluffy visual language. As Sonny Gothic, this typeface has ligatures inspired by the incredible work of Herb Lubalin, chiefly Avant Garde. We designed carefully Sonny’s Vol 2 ligatures, and we also created new ones to control the whites formed between softened characters such as FL, FB, FD, FE, FF, FH, FI, FK, FN, and FR.
Developed with powerful OpenType features in mind. Each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support, small caps, and many more. Perfectly suited for graphic design advertising.

UTOPIAN is a color font family based on primary colors and pure geometric shapes, influenced by Bauhaus, DeStijl and Art Deco. Its pure shapes and basic colors are inspired by the beauty of simplicity of modular order and grid, creating a perfect environment where all these elements live in a perfect color harmony. In the other hand, DYSTOPIAN, the black and white family, represents a close sibling in appearance and structure, that carries an opposite meaning, with a darker look and feel. Both typefaces are, somehow, a reflection of the divided views and posible outcomes that the future times ahead yield before us.

Package:

Utopian/Dystopian comes in file with a pre-defined color palette. You can always change the colors converting the text to outlines.

Technical info to use:

The package contains a normal TTF/OTF set of fonts in Black and White and a colorfont in SVG-TTF format. To be able to use the color file you need to have installed Adobe Photoshop CC2017 or Adobe Illustrator CC2018. Not all the browsers support color fonts so please be sure to use them as graphics.

Flink is a geometric typeface characterized by its clean and simple appearance, but with a subtle dynamic in certain letters. It is inspired by early classic geometric typefaces like Futura, Erbar, Avant Garde, Kabel and a lot of others, but designed to suit the needs of our time.

Due to its pure shapes and geometric forms, Flink is a very versatile typeface that can be used in a wide range of applications either Branding, Editorial or Webdesign.

Flink comes along in 8 weights from Thin to Black, each of them consists of an Upright and Italic version with more than 750 characters per style. Two stylistic sets offer variations to the look and feel of Flink, making it even more versatile. Next, plenty of Open Type Features like ligatures, case sensitive forms and old style figures and symbols complete the typeface.

Flink was designed by Moritz Kleinsorge between 2017 and 2018.

Kinesis is inspired by the work of Dutch furniture designer and architect Gerrit Rietveld, one of the principal members of the Dutch artistic movement De Stijl. A modular headline font, constructed from white, black and grey overlapping rectangles, it is seen to best effect in short settings and at larger sizes.

Grold is a post-geometric typeface made up of 40 fonts across 10 weights with normal and slim options. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Grold font family supports multiple languages and is available as both webfont and desktop font.