Sophie O'Donnell

Hand crafted in Spain amongst the orange trees, Pulp Display represents the best of modern circular aesthetic with an air of friendliness. Wholesome, full and juicy, it’s everything you want out of a display font. It looks amazing at large sizes and, also, small sizes.

Pulp has 36 punctuation marks, 57 uppercase letters, 60 lowercase letters, 17 symbols and a full number set. It supports 17 languages; Basque, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Frisian, Galician, German, Irish, Italian, Norwegian, Portuguese, Spanish and Swedish.

The difference between each weight is intentionally more subtle, for maximum impact at larger sizes. Pulp is best displayed with large text and is suitable for branding, magazines, products and anything else you can imagine. Pulp weights are sold separately and together.

Gordita is a minimal sans serif typeface with a geometric foundation that has been built upon with modern details that result in an optically balanced, friendly typeface.

When designing Gordita referring to features in Futura were influential as were the structural and harmonious strokes of Gotham. Forms have been optically compensated to appear natural and purely geometric. Joints are slightly tapered and ink traps feature in heavier weights with the purpose of achieving maximum legibility.

Gordita has been tested in print and on screen in a wide range of point/pixel sizes. The family is equipped with OpenType features including alternate glyphs, fractions, case sensitive forms, small figures, arrows and symbols as well as old style and tabular figures.

Now delivered in 7 weights with matching italics that slant at 15°. The italics are slightly lighter and narrower than the upright versions. The horizontal weighting in the italics have been reduced to compensate for the loss of vertical stroke thickness.

With support for over two hundred languages with an extended Latin and Cyrillic character set, Gordita is ready to be put to work. Designed by Thomas Gillett, metrics and engineering by iKern (Igino Marini).

The family has been recently updated to include two additional weights (Thin & Ultra + their matching italics) as well as slightly opened apertures for better legibility in the heavier weights, new glyphs and more opentype features.