Sophie O'Donnell

Rosematty is a modern calligraphy font with 99 ligatures. This font includes multilingual support for Western and Central Europe. Is ideal for blog, websites, instagram, branding, invitations, business cards, weddings and many more.

Rosematty also includes 4-11 alternate characters for both uppercase and lowercase letters, beginning ending swashes for all lowercase letters and ligatures for different styles.

For access to Stylistic Alternates is required software with glyphs panel like Photoshop and Illustrator. No special software is required to use Ligatures.

Nauticus Sans is a hand-drawn, all caps, sans serif family. It features 4 different font weights: Thin, Regular, Bold and Bold Press. Every lowercase letter has three variations. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect.

Nauticus Script is a handwritten, fully connected script with ligatures and contextual alternates to help with flow and readability.

Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Sharpe is a stylish serif typeface family.
The type has been drawn by Måns Grebäck during 2018 and 2019.
It is clear, sharp and has brave, lively letter forms but with a conservative backbone.
The five font weights balances beautifully in contrast to each other, and each
weight has an italic equivalent, totaling in ten styles from Thin to Black.
Each style contains ligatures and support for a wide range of languages.

Worthington Arcade is a classically-proportioned capitals-only type incorporating a selection of ligatures and alternates.

It loosely resembles the hand-painted architectural lettering of the 30s to the 50s, exemplified by the likes of Percy Smith’s interior signage for the BBC or George Mansell’s lettering for the University of London and the signs found on London’s bridges. However, rather than a slavish copy of any historical model, it is more an examination and evocation of certain idiosyncratic quirks of civic lettering of the period, and an attempt to create a peculiarly English titling typeface.

The round letters, for example the O, Q and C, are wider than the perfect circle usually found in such designs, while the straight-sided characters, usually drawn on a square, are narrower. This lends the whole a subtle elegance that is also emphasized by the raised crossbars on the H, E and F and extended lower leg of the E.

Includes old-style numerals.

TOPPLER is a top-heavy comic font, K-Type’s salute to nineties freebies such as Ben Balvanz’s Baby Kruffy, Comix Heavy from WSI, and Dave Bastian’s Startling. Unlike those glorious fonts-of-old, Toppler contains a complete repertoire of symbols, dingbats and Latin Extended-A accented characters, as well as a proper lowercase, careful spacing and tasty kerning. Toppler also boasts cleaner outlines and more refined shapes.

The Toppler family comprises four fonts that share spacing and kerning, so can be overlapped to produce bicolor and multicolor effects. In addition to the regular, solid style of Toppler, there is a shaded ‘Popdots’ style, plus thick and thin outline fonts.