Sophie O'Donnell

Bitcrusher is an ultramodern, ultra-compact sans-serif typeface influenced by contemporary vehicle design and consumer electronics. It was designed for maximum compression, allowing you to fit more words in a line than techno typefaces normally allow. Bitcrusher is available in 5 weights an 4 widths. Condensed is pretty tight. Compressed is at the normal typeface compression limit. Crammed is unusually compact. Crushed is ludicrously concentrated. Bitcrusher features a stem, space and gap consistency which allows you to break the usual scaling and tracking rules. Do you want thicker stems? Take a narrower width and scale it wider. Want to go tighter than crushed? Scale it even narrower. You can’t break it. Mathematical symbols, fractions, numeric ordinals and monetary symbols are in good supply. Almost all current Latin based languages are supported, including Vietnamese, Cyrillic languages and Greek. The commercial use desktop license for Bitcrusher Condensed Bold is free.

PF Mellon is a modernist variable grotesque with mixed roots.

Its unconventional aesthetic is the product of an exploration into the art of emphasizing titles, headlines and text in captivating and unpredictable ways. Contrary to conventional practices of highlighting text with heavier weights, PF Mellon proposes an intriguing new scheme based on striking and attention-grabbing compositions of narrow and extended letterforms- even when set in lowercase. Part geometric and part grotesque, PF Mellon’s expressionist alphabet and extravagant style challenge conventions of visual culture in an Art Deco-like manner.

PF Mellon’s rebellious idiosyncrasy takes its cues from the eccentric personality of our popular PF Venue, an earlier geometric sans serif characterized by its daring combinations of non-uniform structures. PF Mellon’s basic design skeleton was influenced by nineteenth and early twentieth century condensed sans serif typefaces such as Stephenson Blake’s Grotesque No.77 and ATF’s Alternate Gothic, adding an extra contrast to the thickness of strokes.

PF Mellon is also available as a variable font format which you may request it free of charge from Parachute® once you purchase the whole type family.

House Sans is a 100 style super-family made up of 5 widths, 10 weights plus matching italics in two design approaches through stylistic alternates to the E, F, L and e characters. The weights range from compressed to expanded, from thin to heavy creating a plethora of styles to create with.

House Sans has a unique visual structure to key glyphs such as the A, M & Y that give the font a stand out feel while the contrasting horizontal bars provide a nice balance. The compressed weights are great for fitting in tight spaces whilst the Heavy styles are perfect for standing out from the crowd.

The font features extensive support for European and Cyrillic languages, stylistic and discretionary ligatures, plus superiors, inferiors and fractions.

Lion & Hare is an ultra compressed, tall font family that portrays strength and power. The condensed characters maintain fairly square edges to give a more consistent geometric & industrial look to the font. The font family supports 27 languages and comes in 6 styles. Lion and Hare works fantastic for website headers, magazine layouts, logos, branding and much more.