Sophie O'Donnell

Bitcrusher is an ultramodern, ultra-compact sans-serif typeface influenced by contemporary vehicle design and consumer electronics. It was designed for maximum compression, allowing you to fit more words in a line than techno typefaces normally allow. Bitcrusher is available in 5 weights an 4 widths. Condensed is pretty tight. Compressed is at the normal typeface compression limit. Crammed is unusually compact. Crushed is ludicrously concentrated. Bitcrusher features a stem, space and gap consistency which allows you to break the usual scaling and tracking rules. Do you want thicker stems? Take a narrower width and scale it wider. Want to go tighter than crushed? Scale it even narrower. You can’t break it. Mathematical symbols, fractions, numeric ordinals and monetary symbols are in good supply. Almost all current Latin based languages are supported, including Vietnamese, Cyrillic languages and Greek. The commercial use desktop license for Bitcrusher Condensed Bold is free.

Iconic is a rounded condensed sans serif typeface designed by Andrea Tartarelli together with Cosimo Lorenzo Pancini and Francesco Canovaro at Zetafonts. It’s a multi-purpose workhorse family designed for clear and effective editorial, interface and information design with minimum usage of space. The soft, rounded shapes are all derived from basic circular geometry, but slight humanist touches have been added to make the family look more informal and readable. With his slim, minimal aesthetic, Iconic embodies the spirit of contemporary tech, and the desire for an effortless, natural digital experience. The extensive range of weights allows both for text and display usage. In body copy Iconic excels in clarity from light to bold with a choice of medium and regular for text appearance fine tuning; in display use it allows endless design expressions with a range that goes from the hairline thin weight to the super-fat heavy, all with matching italics. To complement the basic, regular shapes of the Iconic family, a Stencil subfamily has been designed with a more aggressive technical look. Perfect for wayfinding, branding and interaction design, the six Stencil weights can also be used next to the base family for a rich textural approach to type setting. Both Iconic and Iconic Stencil feature an extended character set of over 1200 glyphs that covers over 220 languages using the Latin alphabet, as well as Greek and Russian Cyrillic. Open type features include small caps, positional figures, alternate letter forms, stylistic sets, arrows and extra punctuation and discretionary ligatures. A six-weight icon set, Iconic Pictograms, has been also developed in matching weights to the base family to allow maximum control over the design of digital interfaces using Iconic.

Inspired by German grotesk from XIXth century. Driven by the spirit of 1950s Swiss Style. Designed with a hint of constructivist approach. Neue Alte Grotesk is a minimalistic typeface with a distinct character. It is created to connect both new and old. It will look good in juxtaposition with retro-styled illustrations and ultra-modern graphics.

Kruda is a Handcrafted display sans with 3 widths and 5 weights with accompanying slanted version. inspired by a vintage grotesk on a worn out signs and this was an initial sketch for our typeface Naratif, but it went too far. so we completed the language support for LATIN, CYRILLIC, and GREEK. and decided to take the risk to release it.