Sophie O'Donnell

Galeana is a flat-sided sans serif typeface that features a closed aperture. The font is a reinterpretation of Latin American-flavored typefaces used for European editorial designs such as Plastique and Zembla magazines. This superfamily consists of 4 sub-families: Compressed, Condensed, Standard and Extended.

The heaviest and narrowest variants—created at the early stage of the design process—resemble the slender trunks of the Galenas (African tulip trees). The other variants have an extended width, which evokes the broad crown shape of these trees.

Galeana comes in 48 styles and contains 417 glyphs that support over 200 Latin-based languages. The font performs well for mid-length text and it's the perfect choice for headlines, editorial design, brand identity design, advertising, social media and use on Tv.

Sudtipos’ new sans serif font Replete is inspired by the mixture of aesthetics and philosophies found on the streets of metropolitan cities the world over. Buildings constructed throughout the twentieth century, including those made in the Art Deco style or influenced by the Bauhaus’s gospel, stand side-by-side as symbols of their time. Typography is one factor that bonds these vistas, and simultaneously further complexifies them. Art deco letters appear on storefronts and signage in Europe’s oldest cities and as remnants of the Golden Age of economic expansion for Latin America. Typography, like architecture, sometimes coexists in perfect harmony, and other times in ideological opposition. But it is these juxtapositions in places such as Shanghai, New York, London, Buenos Aires and Tokyo that shape each city’s identity. Replete is inspired by this mixture. We wanted to create a useful modern sans serif family – a set of 7 weights with playful geometric alternates – that allows you to combine characters including wide-width and filled letterforms. Replete is apt for long texts, and equally, for instances where letterforms can stand together like a cityscape. Replete means full, packed and abounding … it is a sans, it is grotesque, it is geometric and it is Deco. Replete is a new family that has a little of everything we like, equipped with everything you need to design anything you want.

Unicorn is a super-condensed Display with a blasé feeling. It was firstly inspired by a lowercase set seen on a furniture ad in Domus (the architecture magazine) #192, from 1943. For best results, use with a bright & smart colour palette. Appointed by the Unicorn. Of course.

›Supernett was originally created in 2013. Now we decided to upgrade it: more styles, more glyphs, more features, more everything! Have fun with Supernett 2019.‹ Georg from FaceType

Supernett 2019 super revised version:

Supernett is a versatile text- and display-family and is perfect for space-saving headlines. All letters and numerics are availiable in three variants which alternate randomly with OpenType Contextual Alternates activated. One of Supernett’s key features is Wiggling & jumping letters: letters jump around the basline or tilt forward and backwards without a plan. Combine this with OpenType Contextual Alternates and let Supernett look truly hand-drawn with a maximum effect when applied to big typesetting. Further features include small caps, glyph alternates, case sensitive forms, fractions, symbols and many more. Supernett is a hand-drawn / handmade / handdrawn Sans-Serif font-family.

Supernett is available in three weights, two widths, Uprights and Italics. The handmade family is tailored for large font sizes but also impresses with seamless legibility in small type sizes. Due to it’s display origin and slightly condensed appearance, make sure to increase the spacing a little when used in text setting. The extensive character set supports 209 Central and Eastern European as well as Western European languages (for details, please see below).

OpenType Features

Alternating Letters
Letters and numerics are availiable in three variants which alternate randomly
→ OpenType Contextual Alternates

Small Caps
Supernett’s Small Caps mixes Upper- and Lowercase letterforms. Choose between »Small Caps« or »OpenType All Small Caps«. The latter replaces lower- AND uppercase letters, as well as the dotted i and activates punctuation to match the small caps’ height.

Wiggling letters
All glyphs tilt slightly and randomly forward and backwards
→ OpenType Swashes (or OpenType Stylistic Set 06)

Jumping letters
Each single glyph moves individually up or down
→ OpenType Titling Alternates (or OpenType Stylistic Set 07)
→ for a stronger effect, add OpenType Stylistic Set 08 (Jumping Baseline MORE)

Case Sensitive Forms
This feature shifts various punctuation marks to a position that works better with all caps typography.
→ activated when an app’s all-caps styling is applied

Slashed Zero
Make clear what you’re talking about and work with a slashed zero
→ OpenType Zero with a Slash

Fractions
Figures separated by a slash are substituted by proper fraction glyphs.
A date however, written like 10/12/2019 will remain unchanged.
→ OpenType Fractions

Alternate Glyph Set 1
→ OpenType Stylistic Set 01

Alternate Glyph Set 2
→ OpenType Stylistic Set 02

Alternate Glyph Set 3
The default glyph set. Activate it to disable Alternating Letters within OpenType Contextual Alternates.
→ OpenType Stylistic Set 03

Y Alternate
Choose between two different styles of Y
→ OpenType Stylistic Set 04

Underlined Uppercase O & ordinals
→ OpenType Stylistic Set 05
→ activate OpenType Ordinals to substitute No. by №

Uppercase I Alternate
There’s an alternate for the isolated ›I‹ (I love you)
→ included in OpenType Contextual Alternates
→ or activate OpenType Positional Forms: Automatic Form
→ substitute every single ›I‹ with OpenType Stylistic Set 09

Bullet Alternate
Choose between two different styles of bullet (•)
→ OpenType Stylistic Set 11

Squares and Circles
Type a – z and out pop squares and circles. All symbols are PUA-encoded for easy copy and paste between different applications.
→ OpenType Stylistic Set 10
→ or open your apps’ glyphs panel and double-click the desired symbols

Supernett is an organic and decorative hand-drawn / handmade Sans Serif display-family for packaging, posters, book-covers, kids- (children-), food- and logo-design and will best stand out in huge grades. Its handmade / hand-drawn origin is subtle yet visible.

Supernett supports 209 languages
Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Atayal, Aymara, Bashkir, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofan, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic, Guadeloupean, Gwichin, Haitian Creole, Han, Hawaiian, Hiligaynon, Hopi, Hotcak, Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istroromanian, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karakalpak, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino Sine, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Maori, Marquesan, Meglenoromanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Inari, Sami Lule, Sami Northern, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian Lower, Sorbian Upper, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvaluan, Tzotzil, Ukrainian, Uzbek, Venetian, Vepsian, Volapuk, Voro, Wallisian, Walloon, Waraywaray, Warlpiri, Wayuu, Welsh, Wikmungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

View other fonts from Georg Herold-Wildfellner

Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut

Artartika contains two Regulars – one Slab and one Sans Serif. Condensed width, geometric shaped, with distinctive stem contrast, Artartika recommends itself for titles, product names, branding, but it's also fully applicable for longer text and paragraph use. Contains Extended Latin character set with Cyrillic support.

Aventra is a handmade organic sans serif typeface family. With curved edges and slightly uneven lines, it has a warm and friendly appeal. Its clean and minimal design makes it legibility and readable even in smaller point sizes. With a distinct and informal human touch, it is ideal for packaging, branding, display, posters, logos, advertising, signage and editorial design.

Vrindals Script is inspired by a retro style and combination with hand lettering style. It is made with personality in every single curve. I hope this will inspire you and your work. It can be perfectly paired with a marker font, and contains a super handy set of bonus swashes. It is ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. PUA Encoding and multi-language support included. To enable the OpenType stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). If you have any question, don't hesitate to contact me by email pointline23@gmail.com :)

Gothiks Round Condensed is the rounded version of Gothiks Condensed. It is a 6-weight display sanserif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both san-serifs or Blackletter, depending on geographic location. Use it BIG!

Gothiks Round is the rounded version of Gothiks. It is a narrow 6-weight display sans-serif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. The intermediate weights can be used for short texts while extreme weights are excellent for big sizes. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both sans-serifs or Blackletter, depending on geographic location.

Gothiks Round Compressed is the rounded version of Gothiks Compressed. It is a 6-weight display sans-serif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both sans-serifs or Blackletter, depending on geographic location. Use it BIG!

Our Ballinger family continues to grow with the addition of 16 new narrow styles. Their shared DNA is visible in the generous counters and x-height, forthright forms, and air of cheery efficiency. And like their wider relatives, they have their roots in 19th Century jobbing faces. While the eight Condensed styles are designed for impact, we took care to balance them for continuous reading, making them ideal for applications where space is at a premium. In contrast, the radically smooshed X-Condensed weights are ideal for movie credits, legal disclaimers, and lists of side effects. Features include semi-oldstyle figures and case-sensitive punctuation and delimiters. Winner of an ICAD Gold Bell.

Brava Sans (the naked & extended version of Brava Slab) is a family of 8 weights, 2 widths and true italics. Designed for editorial purpose, it has a monolinear appearance with a humanist construction, open counters and a tall “x height” that give it a right personality for use in branding. Also Brava Sans has a lot of helpful features as a wide range cover of Latin languages, a lot of OpenType features, a new condensed width and two bolder and cooler weights that make Brava Sans a useful tool for the graphic designer. A full range of numerals (included old style figures, lining, numerators, denominators, superiors, subs, circled and black circled), small caps, forty ligatures (between standard & discretionary ligatures), a lowercase superior and inferior set and a stylistic set are some of the features that makes Brava Sans a solid choice.

Halvar Stencil, an unbreakable industrial typeface Halvar Stencil expands on the Halvar universe by building on its industrial attitude: this German-engineered Schablonenschrift is a typeface for construction sites, power stations, data plates and anything that demands visual impact. Cutting stencils into the letters of Halvar reveals that the typeface is an engineer. With letters parted into circles and rectangles, Halvar Stencil is a practical typeface whose raw character is stabilised with consistency and solid workmanship. With bold weights well-suited to immense and brute uses and light weights that are airy and chic, it has flexibility to match its scale. Unusual amongst stencil typefaces for being constructed for complex and international operations, Halvar Stencil’s multi-script design covers Greek, Latin and Cyrillic, allowing cross market branding. Naturally, a system this comprehensive also comes with tabular figures, superscripts, localised alternates and many other useful OpenType features. Complementing all this, Halvar’s multi-plexed functionality means that designers can lighten and darken text in complex settings without worrying about reflowing text or distorted interfaces. Like Halvar, Halvar Stencil has an absolutely consistent character width across all its weights. Subdivided into an extended Breitschrift with a bold physique, a moderate Mittelschrift and a condensed Engschrift, each stencil subfamily has nine styles ranging from lightweight Hairline to massive Black weights. United in the Halvar Stencil Collection, these three families cover an exceptional range. Please, max the Gap! Havar Stencil is not only available in three widths, it’s shipped with three sizes of stencilling. From the tight MinGap to the loose Maxgap, this ensures that whether Halvar Stencil is applied to a shipping container or the plaque of a hard carry case, it has the right amount of stencilling for the job.

There is no such thing as a talking cat, however, you can often find these in adventures, movies and other stories. At least, now you can have your own font called "Talking Cat", and perhaps even your cat will like it! Mine did! Talking Cat works very well with packaging, toys, posters, postcards or perhaps even flyers - the smoothly rounded edges makes sure your design keeps that handmade look!

Beriot is a sans serif whose basics are condensed in Regular (Normal) weight, getting a lot of form inspiration from the topic also known as Steile Futura which is a letterform that Paul Renner himself explored in the mid-1950s, where shapes are constructed with little stress on modular squares but there are changes in certain parts so they become less modular. The Beriot family is available in 42 weights with matching slanted cuts, divided into 3 subfamilies: Condensed, Normal and Expanded. Each has been designed for a range of text sizes each, and already variable, allowing you to choose and make your own type of weight you like. OpenType Features are available in each of these font styles, including alternative characters, different numbers set and case-sensitive and there are additional symbols that make it the perfect choice for professional types of branding, digital design and editorial.

Introducing Obsypac, our latest vintage serif. Inspired by the old lettering/signpainting, refined to make it relevant in this modern era. This all-caps font will give a strong and clean look on your design, make it work perfectly for headlines, logos/logotypes, labels and packagings, t-shirt designs, etc. If you're a fan of classic typography, make sure you add this font to your design toolbox.

VTC Horoscope is a modern & minimalist rendition of a Victorian-esque style typeface. Much like the typefaces of that time, this font has high stroke contrast, smooth serifs, and a slightly extended x-height, however it ditches the flourishes & fluff for weight & legibility. VTC Horoscope makes the perfect font for packaging design, big bold headlines, vintage inspired projects, or anywhere you want to spark curiosity and attention.

Wood Heinz No.2 - the close friend of Wood Heinz No.4 The Regular font style offers up to four »printed look« variations of all the Latin base letters and figures. An OpenType letter rotator is build into the font to emulate the randomness of wood type printing. You can switch manually to the alternate letters by using the Stylistic Sets 1–4. Stylistic Set 5 will activate the more common look of the capital letter R with a straight leg. The New font style has clean outlines and of course the alternate letter R. Wood Heinz No.2 and No.4 working seamlessly with each other. You can both mix them easily. Enjoy the vintage!