Sophie O'Donnell

Muirne, a cheerful semi-serif inspired by a Celtic calligraphy and figure. Font family contains from Light to Black weights and suitable Italic. With a dozen of alternates to enhance your typesetting with a Celtic touch.

Abakadabra is a headline font inspired by sans-serifs of the first half of the twentieth century, as well as by the tricks of fakirs, illusionists and charmers. The gently playful manner of the font can be exaggerated to a more pretentious and grimacing one, or can alternatively be calmed to a neutral appearance. Abrakadabra supports most European languages and has thematic emoji symbols. The text can be customized by using stylistic sets or the Swashes and the Stylistic Alternates buttons in the OpenType panel.

Calamity Wayne is a reverse-contrast slab serif, inspired by the ‘wild west’ French Clarendons (aka Italians or Egyptians) of the late-1800s.

Despite the idiosyncrasies that make it ideal for display and headline uses, it is also surprisingly legible in text settings.

Calamity Wayne supports Latin, Cyrillic and Greek, and is available in OTF and TTF formats.

Acknowledgement: I am very grateful to David Jonathan Ross (https://djr.com) for his support and encouragement.

Steradian is an exploration of the geometric genre and although it has a geometric base, the widths between letters are not much different across the weights. That is due to the process, in which the proportions of the heavier weights paved the way for the lighter ones. It also has a series of details that make Steradian stand out and gives it a special touch. Some of its main features are the double-story ‘a’, its closed apertures and some of the capitals have a distinct personality (such as the G and Q). Read more about the design process at the Emtype’s Blog. 

Malte is a geometric sans-serif typeface, inspired from the modern age. Designed to use as type play, headline, quote and for composition. Malte come with nine weights that mappings to CSS font weights. Malte supported many languages as included extend latin glyphs.

Roman Ionic is a unique revival of a typeface that was once popular and used in many late 19th century and early 20th century music publishing houses, such as Durand et fils. It displays a happy marriage between the beautiful features of the Clarendon type and the legibility of the Scotch roman class and is thus aimed to work for titling and body text.

Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam and Shalom to the font family name.

Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.