Sophie O'Donnell

Anicon Slab font consist of 18 weight: from Thin to Black with each weight paired by italic. Also including Latin & Cyrillic language support with more than 35 languages. Anicon is a fonts superfamily, semicondensed sans serif and slab serif with humanistic forms of characters. This font was crafted with the intention to present a clean, legible, multipurpose font family that is easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other application and medium.

Sudtipos’ new sans serif font Replete is inspired by the mixture of aesthetics and philosophies found on the streets of metropolitan cities the world over. Buildings constructed throughout the twentieth century, including those made in the Art Deco style or influenced by the Bauhaus’s gospel, stand side-by-side as symbols of their time. Typography is one factor that bonds these vistas, and simultaneously further complexifies them. Art deco letters appear on storefronts and signage in Europe’s oldest cities and as remnants of the Golden Age of economic expansion for Latin America. Typography, like architecture, sometimes coexists in perfect harmony, and other times in ideological opposition. But it is these juxtapositions in places such as Shanghai, New York, London, Buenos Aires and Tokyo that shape each city’s identity. Replete is inspired by this mixture. We wanted to create a useful modern sans serif family – a set of 7 weights with playful geometric alternates – that allows you to combine characters including wide-width and filled letterforms. Replete is apt for long texts, and equally, for instances where letterforms can stand together like a cityscape. Replete means full, packed and abounding … it is a sans, it is grotesque, it is geometric and it is Deco. Replete is a new family that has a little of everything we like, equipped with everything you need to design anything you want.

NewsSans Compressed is a multi-tool typeface system. It works well in all corporate, editorial, analog and digital settings. The News Sans family was designed to allow for a maximum range of visual shades when creating a typo­graphic look, effortlessly ranging from loud and expressive, to subtle and reserved. The large x-height combined with low as­cenders and descenders allows for tight and efficient designs. All sharp corners were trimmed off to add character and a nuance of extra space. NewsSans’ strokes link humanist curves with ‘American Grotesque’ details and solid square stems. NewsSans is optimized (hinted) for best screen performance.

NewsSans Wide is part of a multi-tool typeface system. It works in all corporate, editorial analog, and digital settings. NewsSans is optimized (hinted) for best screen performance. It was designed to allow a maximum range of visual shades when creating a typo­graphic look, effortlessly ranging from loud and expressive, to subtle and reserved. The large x-height combined with low as­cenders and descenders allows for tight and efficient designs. All sharp corners were trimmed off to add character and a nuance of extra space. NewsSans’ strokes link humanist curves with ‘American Grotesque’ details and solid square stems.

NewsSans extended is part of a multi-width typeface system. It works in all corporate, editorial, analog and digital settings. NewsSans Extended is optimized (hinted) for best screen performance. It was designed to allow a maximum range of visual shades when creating a typo­graphic look, effortlessly ranging from loud and expressive, to subtle and reserved. The large x-height combined with low as­cenders and descenders allows for tight and efficient designs. All sharp corners were trimmed off to add character and a nuance of extra space. NewsSans’ strokes link humanist curves with ‘American Grotesque’ details and solid square stems.

NewsSans Condensed is part of a multi-tool typeface system. It works in all corporate, editorial, analog and digital settings. NewsSans is optimized (hinted) for best screen performance. It was designed to allow a maximum range of visual shades when creating a typo­graphic look, effortlessly ranging from loud and expressive, to subtle and reserved. The large x-height combined with low as­cenders and descenders allows for tight and efficient designs. All sharp corners were trimmed off to add character and a nuance of extra space. NewsSans’ strokes link humanist curves with ‘American Grotesque’ details and solid square stems.

If you ever dream about light vibe, playful, easy going, cute, has some nature touch in it and still has a good read-ability font: it's time to wake up. Florentina is here. The "ink bleed", irregular line, it looks like you write it by yourself. Not mentioning that dreamy hand-drawn bonus... LOTS OF THEM. And it is support 22 languages as well. I hope it support yours. Happy designing!