Sophie O'Donnell

Julia Child once said: the secret to great french cooking is butter, butter, butter.

Thus, we present to you Manteiga - butter in Portuguese! - a typeface for heart-melting, word-spreading goodness.

The idea we had was to play with brush lettering - a style we love - and go as far as we can with the shapes of the letters while finding balance between positive and negative space.

We wanted biiiig personality. And small inconsistencies - the ones that add texture and life to lettering.

We left extensive OpenType features and technical stuff aside for a moment, adding later only what we thought was necessary, like different shapes for the Q, a and g - for example.

All caps setting was something we wanted from the beginning. In text case, the x-height is rather short for a brush script, and this lends a quirky voice.

Spacing is ultra tiiiiight so don’t go too small, but make it as big as you want!

Ah! And there are some fun dingbats thrown in for good measure.

Sweet Lemon started off as something completely different, but I screwed up and closed one the the glyphs by accident. I kind of liked it, so I made three distinct fonts, each one with its own Italic style.

In short: when a font is called Sweet Lemon, you should use it for Lemonade packaging. Or whatever.

Tough Cookie is a handmade font that looks like it has been cut out. It comes in three varieties that work together really well. Use it for your book covers and product packaging, or (if you’re a tough cookie) for your christmas cards…

It seems black crayons are out of stock where I live. I can buy all the colors I want, except black ones… I really needed a crayon, so I bought this ridiculously expensive professional marker crayon ($14 for 1!!!) and created this font.

Use it for… well, uhm, dunno… book covers, product packaging and restaurant menus? Just have a ball!

Quida Rough is a textured display family with three styles; Regular, Italic and Script. The personality of the design comes the rough, worn outlines and concave vertical shapes, which are consistent through all styles. This makes them work together seamlessly.

Quida Rough Script is packed with opentype goodness such as swash caps, stylistic alternates, ligatures and ending forms for lowercase letters. All styles have an extended language support for most European languages.

Bernyck is a vintage fonts inspired by bold advertisers hand lettering styles, popular in the late 1940s through the early 1950s. It has the same charm as his brother “Cinefile”, but, this time, connected and with more alternates.
The Bernyck family is integrated by Bernyck and Bernyck Extrude to interact together. To this we add a beautiful set of 131 ornaments, Bernyck Ornaments and of course, Bernyck Ornaments Extrude. The Open Type features include a full international character compliment, standard and contextual alternates, swatches, stylistic sets, initial forms, standard and discretionary ligatures. All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms.
A total of 634 glyphs to offer you many more options for your designs!
Bernyck, like all our fonts, was carefully designed, controlled and tested in both aspects: readability and technical aspects.
We take care of the kerning pairs, hinting and the precise programming of the Open Type functions; as well as the final touch of each glyph.
Bernyck adapts well to titles, packages, invitations, greeting cards, magazines and book covers, children’s material, fashion, logos and, posters and wherever you need a fun and sympathetic display font.

Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile.

This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer’s Folio, and Aldo Novarese’s Eurostile. With Eurocine you get a more versatile typeface by way of its small caps and additional stylistic sets giving you extended caps, extended small caps, and petite caps, as well as upper and lowercase unicase. Creating typographic masterpieces of your own will be so much easier!

Key features:
• 6 Weights in Roman and Oblique
• 3 Widths – Narrow, Regular, Wide
• Extended Caps
• Small Caps
• Extended Small Caps
• Petite Caps
• Unicase
• Old Style Figures
• European Language Support (Latin)
• 1,200 glyphs per font.